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1969-1972
1969-1972
In 1969, an expression of a new, cosmic vision of the world could be observed in Sarian's paintings (a response to the first flights to space). The stylistics of his works modified. ‘The Earth’ and ‘Fairy Tale’ convey the perception of the infinity of the Universe.
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1941-1968
1941-1968
At this period the artist’s weapons where his brush, palette and pencil. He defended his country with his art. And marking the victory and the return of his son, Sarian created his largest picture in the genre of still life "Flowers to Armenians who Fought in the Great Patriotic War".
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1922-1940
1922-1940
Changes in creative objectives resulted in changes in work methods and enhancement of style. Traveling to various regions in Armenia the artist painted his canvases in the open air, contemplating and depicting instances of nature's life. The zeal to convey the real and tangible side of nature and the nation's life resulted in a quick, sketchy manner of oil painting.
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1910-1921
1910-1921
The interest in Eastern culture was determinative in the development of 20th century European and Russian art. But for Sarian, a painter of Armenian origin, the appeal to the East was an important self-revelation.
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1903-1909
1903-1909
Trips to the Caucasus in 1901-1903 were a true revelation for Sarian. In the summer of 1902, Sarian visited Ani, the old capital of Armenia. "In the picturesque nooks of the south of our ancient country, I found again the magic world of my childhood", recalls the artist.
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1896-1902
1896-1902
1897 թվականին պատանի Մ.Սարյանն ընդունվեց Մոսկվայի գեղանկարչության, քանդակագործության և ճարտարապետության ուսումնարան: Նա պետք է ստանար դասական գեղարվեստական կրթություն, զարգացներ և հղկեր մոտ երկու տարի առաջ դրսևորված իր նկարչական ունակությունները:
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